CC 1235 Lecture 1: Choose right film for my camera

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IMPOSSIBLE EVOLUTION
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Old cameras & new films

After Polaroid Corporation announced that all instant films would no longer be produced after 2008, The Impossible Project was founded and bought the entire Polaroid factory in EnschedeNetherlands – they pledged to bring Polaroid film back.

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AT PRESENT
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The Impossible Project is the only company in the world producing instant films for classic Polaroid SX-70 and 600 cameras. Another famous Japan-based company Fujifilm produces not only digital cameras but also instant cameras and films. 

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In this lecture, you will know clearly about films that are still being widely used and how to choose the right film for your camera.

 

THE IMPOSSIBLE PROJECT
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Instant films produced by The Impossible Project can be categorised by 4 types:

instant-university_CC1235-lecture-1-choose-right-film-for-my-camera-#3 Polaroid SX-70 – Color / Black & White
instant-university_CC1235-lecture-1-choose-right-film-for-my-camera-#4 Polaroid 600-Type  – Color / Black & White
instant-university_CC1235-lecture-1-choose-right-film-for-my-camera-#5 Polaroid Image / Spectra – Color / Black & White
instant-university_CC1235-lecture-1-choose-right-film-for-my-camera-#6 8×10 Cameras and Backs – Color / Black & White

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It’s easy to know which film is compatible with your camera. Simply open the film door and you will see a sticker indicating “600” type film / “SX-70” type film / “Image” or “Spectra” type film.

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Polaroid SX-70 film
is acceptable with:

– Polaroid SX-70
– Polaroid SX-70 Model 3
– Polaroid Onestep
-Polaroid Time Zero Onestep
– Polaroid 1000
– Polaroid 1000 Deluxe
– Polaroid Supercolor 1000 Deluxe
– Polaroid 3000
– Polaroid Pronto! RF

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Polaroid 600 film
is acceptable with:

– Polaroid 600 Autofocus 660
– Polaroid SLR 680
-Polaroid SLR 690
– Polaroid Integral 600 series
– Polaroid One Step close-up
– Polaroid One Step AF Autofocus Digital Exposure System
– Polaroid Sun 600 LMS Light Management System

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Polaroid Image / Spectra film
is acceptable with:

– Polaroid Spectra / Image series

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In March 2015, Impossible announced the initial launch of Generation 2.0 (Gen2.0) film for the Black & White line. Now, the newly launched Black & White films work with all types of cameras stated above. New formula of Black & White has a quicker developing time, increased contrast and tonality.

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In January 2016, Impossible launches Generation 3.0 (Gen3.0) film for the Color line. At present, it is exclusively for Impossible Member to test before general release. This generation of color film marks a significant improvement on Impossible’s current 600 color film formula. Photos develop in less half the time.

 

FUJIFILM
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Fujifilm now has 3 types of film: Instax mini film, Instax wide film and FP-film (packfilm). They are available in color films only. FP-3000B (ISO 3000 Black & White) was discontinued in May 2015.

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Instax mini film
is acceptable with:

– MiNT InstantFlex TL70
– Fujifilm Instax Mini 7S
– Fujifilm Instax Mini 8
– Fujifilm Instax Mini 25
– Fujifilm Instax Mini 50S
– Fujifilm Instax Mini 70
– Fujifilm Instax Mini 90 NEO CLASSIC
– Lomo’Instant series

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Instax wide film
is acceptable with:

– Fujifilm Instax 210 Wide
– Fujifilm Instax Wide 300
– Lomo’Instant Wide series

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FP-100C film
is designed to be used in the instant backs for medium format SLR cameras and Polaroid Land cameras. 

CC 1420 Lecture 3: Air traveling with instant films and cameras

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WHY ANNOTATE?
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Many Instant Photographers may have the same X-ray concern about carrying undeveloped films when traveling. In this chapter, you will learn what to do and what NOT to do when traveling, without X-ray damaging to your instant films and cameras.

 

HOW?
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instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#3Before departure

BRING FILMS AS CARRY-ON LUGGAGE

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instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#5Unprocessed film is sensitive to light just as they are waiting to be exposed. Although Impossible Project film has a rather low ISO of 160 for SX-70, and ISO 640 for 600 cameras, X-ray of checked baggage screener may still penetrate and expose the film. Whereas carry-on baggage screener has a much milder X-ray – films under ISO800 such as Fujifilm instax mini film and instax wide film are usually not affected.

So never pack unprocessed film in baggage that will be checked. Or you can politely insist on hand-inspection of the film whenever possible.

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instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#7After arrival

PHOTOGRAPHING IN EXTREME TEMPERATURES

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When you want to take photos in a freezing cold place (e.g. -10°C to -15°C / 14°F to 5°F and below), you should put the camera inside your bag or  your coat pocket and keep it near your body prior to shooting. Using your body temperature is a good way to ensure that your camera will work well.

Instant film is highly sensitive to temperature. After the camera ejects picture, immediately place it in your pocket or directly onto heat pads. A moderate room temperature of around 25°C / 77°F is optimal for developing camera pictures. Warm the photo with your body temperature is the easiest way. Low temperature will overexpose a photo. It may look bluish, lightened and less contrasted.

instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#9Extreme hot guideinstant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#9

Travelling in a place with hot weather (e.g. 35°C to 40°C / 95°F to 104°F and above) is a different situation. Keeping the developing image under shade and keep it cool will help correcting the white balance and prevent reddish and yellowish to a large extent. DO NOT leave the exposing photo under direct sunlight.

Tips:
Hot temperature has a greater effect on B&W film than color. If you wish to get a better result with Polaroid cameras, snap with Impossible Color Film!

Impossible Project film can deliver good results when used within a temperature range of 13°C to 28°C / 55°F to 82°F, while 5°C to 40°C / 41°F to 104°F for Fujifilm instant film.

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instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#7After arrival

SHIELDING

Even with Color Protection Film, it is possible to be overexposed under strong sunlight. The first few seconds are extremely crucial for image development. Always shield the film from light when it is ejected.

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Can I use a black card, to cover the film with a hand or quickly turn the photo upside down?

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To put a black card at picture exit slot is economical and may help, but it will not work as perfect as the Frog Tongue from Impossible Project.

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instant-university_CC1420-lecture-3-air-traveling-with-instant-films-and-cameras-#7After arrival

THE USE OF MANUAL FOCUS

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Some Polaroid cameras such as SX-70 Sonar, use sonar to auto focus. When you are on a coach or railway cabin, visiting in museum or aquarium, as long as there is glass between you and the object, the sonar auto focus will not work because sonar will bounce back when it hits the glass. In order to shoot through glass, simply switch to manual focus and you are good to go!

CC 1420 Lecture 2: Daily cleaning checklist#1 – For Polaroid SX-70 camera

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INTRODUCTION
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SX-70 users may face certain kinds of problem with SX-70, and in fact, many of those are not difficult to tackle with!

In this lecture, you will learn how to daily clean your own Polaroid SX-70 camera. Do it yourself!

 

CIRCUMSTANCES

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Out of tune images / Light spot

 

POSSIBLE CAUSE

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Splotchy
Rollers

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It is the most common problem that SX-70 users always face and this is possibly caused by splotchy rollers. Rollers inside the film door is a critical component for image processing. During the immediate ejection process after shooting, two rollers pushes the chemicals out of the packs at the back of film and let the chemicals to be evenly distributed on the image. When the rollers are rough, it is likely to have undeveloped spots.

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Moreover, there will be chemical residue left on the rollers from time to time. The chemical residue will dry and turn into white patches and block the rollers. As a result, out of tune images or light spots may appear due to uneven roll pressure. Even worse, the camera may fail in ejecting films.

 

PRECAUTION

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CLEAN THE ROLLERS WITH
STERILISING FLUID REGULARLY

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Instructions:

1. Get a cotton cloth and dip it with Sterilising Fluid.
2. Wipe the rollers from one side to another, until the white patches are all removed.
3. The fluid should dry itself quickly without wiping it off.
4. your camera will run like new!